
Film: 180  Starring: Siddharth Narayan ,Priya Anand,Nithya Menon Director: Jayendra Sarma Producer: Satyam Cinemas Banner: Sathyam Cinemas, Aghal Films Music: Sharreth  |      
Mano (Siddharth) performs the last rites  of his family on the banks of the Ganges in Varanasi. He comes across a  small boy who is also performing his father's last rites by playing  happily with his toy car.  He realizes the philosophy of life and  decides not to worry about death but enjoying every day to the fullest.
Mano reaches Chennai and leads a happy  life. Vidya (Nithya Menon) is a press reporter gets attracted to Mano  and she slowly starts loving him. One fine day Vidya proposes him but  Mano negates her due to his dark past. In the meantime, Vidya meets with  an accident which forces Mano to take her to US for further treatment.  Here comes the flashback of Mano where he is introduced as Ajay  (Siddharth), a doctor in San Francisco, America who meets Renuka aka  Renu (Priya Anand).  In no time both falls for each other and enters  wedded life. What is Mano’s dark past? What made Ajay to move away from  his loving wife Renu? How is 180 related to the story, is to be watched  on the big screens.
Performances:
Siddharth has delivered an outstanding  performance. He yet again proved that he is a versatile actor and a  heartthrob for urban youth and class audiences. He gave a convincing  performance as Mano and Ajay and has excelled in romantic scenes.
Priya Anand looked beautiful and  performed picture perfectly. She had more screen space and has done  exceedingly well compared to her earlier films.
Nithya Menon has yet again come up in a good role after Ala Modalaindi. She did a good job as a journo and admirer of Siddhath.
Sri Charan as Siddharth’s friend is apt, Mouli deserves applauses, Geetha, Tanikella Bharani and others are adequate.
Technicalities:
Cinematography by Balasubramaniam is a  big asset for the film which brings out a realistic feel with some  innovative angles. Shot with RED digital camera, it gives us a natural  feel, right from the titles, every frame looked stunning and picture  perfect. Music by Shareth is blissful and goes well with the story. ‘AJ’  and ‘Nee Maatalo’ are quiet good on screen with Siddharth and Priya’s  cool romantic visuals. Background music is fine. Dialogues penned by  Subha are good in parts.
The ad film maker turned director  Jayendra leaves a mark with his rich visuals right from the word Go.  While the storyline moves with expected twists and twirls and strikes  you Prabhas Chakram and Nag’s Geethanjali. Jayendra tried to make his  mark with the narration moves. The screenplay should have been  innovative as the progression of the story is predictable. Editing could  have been better in the second half by trimming off some of the  dragging scenes.
Analysis:
180 is rich, urbane and stylish movie.  The first half of the film keeps you engaged with some interesting  moments while the second half is dragging. The emotional sequences have  come out well. The plus points of the film are casting (Siddharth, Priya  and Nithya Menon), Siddharth's performance, cinematography and music.  The negative points are predictable story and dragging second half. On a  whole, 180 is partly good and partly predictable with rich visuals. 180  would have met the expectations if the second half of the film is racy.
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